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LAGERHAUSSOMMER 2023



Am Sonntag, den 24.9. um 17h wird’s zum Thema „Intuition statt Kochbuch“
einen Vortrag und ein Ring-Gespräch mit Bodo von Plato geben.
Zur Rolle der Intuition im persönlichen Lebenslauf und damit verwobenen, allgemeinen Erläuterungen und Gedanken zur Intuition als „höhere Form des  Denkens".

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(THE) CO-INCIDENCE FESTIVAL

19.-27. August 2023

heim.art®-Station / Neufelden / Austria

Unternberg 6 (beim Bahnhof)  / A - 4120 Neufelden



Festival für experimentelle Musik aus Boston/USA zu Besuch in der Heim.art®?-Station

mit

Aaron Foster Breilyn + Luke Martin,  Joachim Eckl,
Bernd Bleffert, Susanna Bolle, Carolyn Chen, James Creed,  Martin Engler, Werner Fritsch, Jennie Gottschalk, Michaela Haider, John Holloway, Marcus Kaiser, Lukatoyboy, Michael Pisaro-Liu, Nina Power, Kathrin Sammer, Germaine Sijstermans, Karl-Heinz Tritschler


Eine internationale Gruppe von Künstlern, Philosophen und Schriftstellern kommt für 10 Tage ins künstlerischen Arbeitsfeld der Station.

Zufall und Kontext sind bestimmende Elemente des Programms zu dem jeder als Beobachter, TeilnehmerIn oder Interessierte willkommen ist.
Workshops und Performances sind eingebettet in Ausstellungen und Konzerte.

Weitere Einzelheiten des Programms werden jeweils tags davor auf social media (instagram: @heim.art ) veröffentlicht.

 

videos:

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Co-Incidence Festival Trailer Tipping Point Joachim Eckl, John Holloway


Tipping Point: Michael Pisaro, John Holloway und Ensemble Tipping Point: Aaron Foster Breilyn, Luke Martin, John Holloway


TippingPoint: Germaine Sijstermans, Lukatoyboy,John Holloway Text Meassages From My Landlord: James Creed


In My Father‘s House: Martin Engler, Bernd Bleffert Wozu Musik: Bernd Bleffert


Unterholz#22: Marcus Kaiser pink noise_circle II: Marcus Kaiser




timetable 19.8.2023 - 29.8.2023:

 
9:00h

Tagsüber

 17:30h
20:30h

Samstag,

Aug 19


*



14:00 h

Jennie Gottschalk: Score-making piece, open participation. Session 1.

Eröffnungskonzert (20:30 Uhr)


Germaine Sijstermans: Elexen

for Bass Clarinet and Violoncello

Bernd Bleffert: TonStillen

für drei Sandspieler

Aaron Foster Breilyn + Luke Martin: recursive retent

duo on one piano

Sonntag,

Aug 20

Bernd Bleffert:

102 moments of movement

*


10:00 h

James Creed: Callander, open participation. Introduction of piece.

B.Bleffert:

TonStillen

Martin Engler
Germaine Sijstermans:
The Voice in the closet

Montag,

Aug 21

102 moments of movement

*


10:30 h

Nina Power: Experimental Writing Workshop, open participation. Session 1


14:00 h

Jennie Gottschalk: Score-making piece, open participation. Session 2.

TonStillen
Abby Sher:
Dudley Carter

Dienstag,

Aug 22


 8:15
Joachim Eckl: journeys in stationary traffic (Reisen im ruhenden Verkehr),

102 moments of movement

10:20 Train to Haslach, Mühlkreisbahn

Haslach, Museum



Werner Fritsch:
Faust Sonnengesang III

Mittwoch,

Aug 23

102 moments of movement

*

TonStillen

Concert:

James Creed: trio

Germaine Sijstermans: Juglans

Carolyn Chen n.n.

Donnerstag,

Aug 24

102 moments of movement

*



10:30 h

Nina Power: Experimental Writing Workshop, open participation. Session 3.


14:00 h

Jennie Gottschalk: Score-making piece, open participation. Session 3.

TonStillen

 19:00 h
VERNISSAGE
Michaela Haider:
Bilderwachstum
Kathrin Sammer:
Die neuen Träume des Morgen

John Holloway: speaking music,  performance
22:00 h
Joachim Eckl: journeys in stationary traffic (Reisen im ruhenden Verkehr)

Freitag,

Aug 25
6:00h
Michael Pisaro-Liu:
Melodic Currents
Ca. 2 hours. 

102 moments of movement
*

14:00 h
James Creed: Callander, open participation. rehearsal.		 TonStillen

Marcus Kaiser: pink noise (circle III),  performance in der Installation

Marcus & Germaine, Cello & Bass Clarinet

Samstag,

Aug 26

102 moments of movement

*
 TonStillen

Goodbye Concert:

James Creed: Callander

Nina Power

Reading





* Ongoing & Indeterminate:

Carolyn Chen: listening activities, open participation, multiple instances

John Holloway: speaking music & a world not-yet, open participation (+ one evening performance)

Lukatoyboy: Hunting Music, open participation workshop, one or two instances

Martin Engler + Werner Fritsch:
Lesung: Mixing Memory and Desire

Marcus Kaiser: Bis zur Hälfte der Mitte (Bach/Stau/Sumpf)
(Galerie Nord)



Dienstag,
Aug 29




Marcus Kaiser:
unterholz#22
M. Kaiser Cello
+ Video
 


(THE) CO-INCIDENCE FESTIVAL >>

an experimental music gathering


OUR 2023 SEASON
august 18-27, 2023


ARTISTS:


Aaron Foster Breilyn + Luke Martin

luke martin and aaron foster breilyn met in 2015, and have been collaborating ever since. the longest lasting one of which is named "co-incidence". they live in minneapolis and new york. they write all manner of notes, programs, and words, and try to pay attention to what happens between them.

 

Susanna Bolle

Susanna Bolle is the Director and Curator of Non-Event, a non-profit arts organization and experimental music series, which produces some of Boston's most adventurous experimental, improvised and new music concerts.



Bernd Bleffert

A sound artist; born in Altenahr/Germany in 1955; living and working in Trier; has been developing sound objects and installations as well as percussion made of stone, wood and metal and associated new playing techniques, as well as compositions and improvisation concepts since 1990; co-founder of the ensemble for experimental music Tonwerke Trier (1998); concerts as a soloist and in various ensembles; planning and realization of concerts and performances; since 2011 he has been one of the artistic directors of the Festival for Contemporary Sound Art Opening in Trier; from 2000 sound installations in natural spaces and in the context of exhibitions. In his sound art works, Bernd Bleffert deals with movement as the actual source of sound formation as well as with processes of displacement and the accidental.



Carolyn Chen

Carolyn Chen has made music for supermarket, demolition district, and the dark. Her work reconfigures the everyday to retune habits of our ears through sound, text, light, and movement. Her studies of the guqin, a Chinese zither traditionally played for private meditation in nature, have informed her thinking on listening in social spaces. Recent projects include an audio essay on a scream and commissions for Klangforum Wien and the LA Phil New Music Group. Described by The New York Times as “the evening’s most consistently alluring … a quiet but lush meditation,” her work has been presented in 25 countries and supported by the Berlin Prize, the Fulbright Program, and ASCAP’s Fred Ho Award for work that “defies boundaries and genres.” Writing and recordings are available in MusikTexte, Experimental Music Yearbook, New Centennial Review, Leonardo Music Journal, Quakebasket, and the wulf. She earned a Ph.D. in music from UC San Diego, and a M.A. in Modern Thought and Literature and B.A. in music from Stanford University. She lives in Los Angeles.



James Creed

James is a composer and guitarist based in London, UK. His recent music works with increasingly simple materials, even simpler processes, clowning and experimental notations; these elements balance to varying degrees in any given piece, but are usually all present. More generally, his music also tends to be quiet and slow, without the need for much rehearsal or training.



Joachim Eckl

Joachim Eckl’s work is based on an extended understanding of art which is substantially inspired by Joseph Beuys’ term ‘social sculpture’.



Jennie Gottschalk

I’m a composer living in the Boston area. I travel a lot, mostly for concerts. Meanwhile, I run a freelance text services business—some editing, some research, some digitizing, mostly transcription. It’s work that allows for all the travel, and it works out well for me. You won’t read much about my music or my business on this site, but if you’re interested, you can visit jenniegottschalk.com or email me at jennie ( at ) soundexpanse.com.



John Holloway

John Holloway is a Professor at the Instituto de Ciencias Sociales y Humanidades in the Benemérita Universidad Autónoma de Puebla, Mexico, where he teaches in the graduate school of Sociology. He was previously a lecturer in Politics at the University of Edinburgh.



Marcus Kaiser

Marcus Kaiser studied cello at the Robert Schumann University of Music in Düsseldorf before graduating from the city’s Art Academy. Pursuing an interdisciplinary approach, the artist produces works oscillating between art and music: Marcus Kaiser is a painter, sculptor, installation and performance artist, musician, and composer.
Usually working simultaneously on different series and groups of works over long periods of time, the artist  combines the results to complex installations on the occasion of major exhibitions - installations that may provide him with a starting point for interactions and further works of art. Interleaving different genres of art is Kaiser’s very programme.



Lukatoyboy

 Lukatoyboy is a sound artist, musician and publisher from Belgrade, currently based in Berlin.
His main activities in music and sound include performing electroacoustic improvisation (based on real-time sampling of various objects, voice and field recordings) using transmission, feedback and analogue synthesizers.
His current practice is based on performances dealing with networks, sound and narrative, using walkie talkies, animal calling instruments and site specific topics.
Focused on the relation of chances and structures, he creates participatory works with suggested rules, questioning exclusivity and authority of an artist.
He is researching alternative methods of listening, using architecture and distance as tools for discovery, as well as approaches to live broadcast of interpretation.



Michael Pisaro-Liu

Michael Pisaro (born 1961 in Buffalo, New York) is a guitarist and composer and a member of the Wandelweiser collective. While, like other members of Wandelweiser, Pisaro is known for pieces of long duration with periods of silence, in the past fifteen years his work has branched out in many directions, including work with field recording, electronics, improvisation and large ensembles of very different kinds of instrumental constitution. Pisaro has a long-standing collaboration with percussionist Greg Stuart, with over thirty collaborations (pieces and recordings) to date, including their 3-disc set, Continuum Unbound from 2014 and a new piece for amplified percussion and orchestra (to be premiered by the La Jolla Symphony in February, 2020). Recordings of his work have been released by Edition Wandelweiser Records, erstwhile records, New World Records, Hubro, Potlatch, another timbre, meena/ftarri, Senufo Editions, Intonema, winds measure, HEM Berlin and on Pisaro's own imprint, Gravity Wave. Pisaro teaches composition and experimental music the California Institute of the Arts.



Nina Power

Nina Power is a writer and philosopher. She is the author of One-Dimensional Woman and of many articles. Her forthcoming book What Do Men Want? will be out with Penguin soon. Beyond writing and philosophy, Nina's interests include contemporary experimental music, psychoanalysis, paganism, honesty and groups.

Germaine Sijstermans

Germaine Sijstermans is a composer, installation artist and musician. Her works combine ephemeral, often site specific installations with indeterminate music, open to the serendipity of location and time. She explores the phenomenological experience of a space and all that occurs within it through the use of silence, light, sounds, space, and physical presence of oneself and others.
Sijstermans is constantly cooperating with composers and performers, developing music and performances. In doing so she has had the pleasure of premiering many pieces that were composed for her. Her performances have taken place in venues varying from traditional concert settings to underground stages, located from the Netherlands to Brazil..


ABOUT

over coffee in Maine in the Summer of 2015, Luke and Aaron had a far too grandiose idea: "let's do our own music festival!" (un)fortunately, they don't know when to stop. and here we are, with the co-incidence festival which kicked off its first season in January 2017. we wanted to fill a perceived gap in support for experimental composer/performers in the U.S. with a music festival focused on experimental music and built as an experimental composer might build a piece. 


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AUSSTELLUNGEN

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Lagerhaus 1. Stock (ab 15/7/23)
Kathrin Sammer - Die neuen Träume des Morgen 
in
Joachim Eckl - SONNENWASSERFELD

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Lagerhaus Erdgeschoß
Michaela Haider - BILDERWACHSEN
in
Karlheinz Tritschler - SAATGUT DER ZUKUNFT

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Lagerhaus Erdgeschoß + Halle
Marcus Kaiser
opernfraktal/
PINK NOISE_circle II (zu den GRÜNEN BILDERN)

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Basement
Michael Pisaro-Liu - NATURE DENATURED AND FOUND AGAIN
in
Joachim Eckl - MÜHLWASSER - RAUM (Gemeinsame Schöpfung)

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18/6/23   14:00 Uhr

"ZU DEN BILDERN SPRECHEN"

Hannes Weigert und Joachim Eckl

(in der Ausstellung, Lagerhaus 1. Stock)